Relationscapes

an exercise on waiting

video dance installation


‘PleAse be assUred that

as sOon as We are
in suCH

positiON
I shall.

be
in touCH with


you '


(John Cage, Notations)

 

Inspired by a poem composed instantly from social media sources in the period of quarantine in Athens, Relationscapes, an exercise on waiting is a video dance performance where the values of instant composition are transformed into dramaturgical parameters and the state of waiting becomes a practice of listening and a condition for the coincidence to happen.

The performer creates a context into which she makes decisions for the set of the space on the shooting time of the performance. Influenced by the New York Movement, the composition of scores constitutes the map of the choreography.

Approaching the dancing body as an archive, and the score-based structure of the choreography as a dynamic form which can generate ‘infinite worlds’, the performer is in a constant negotiation between following the structure (the order of the scores) and messing up the structure. Stimulus from the surrounding environment, the air, the space, the sound, the ground, the dancing body, the compositional mind and objects are there; to affect and be affected, blending into each other.

 Concept/Performance Maria Pisiou

Sound Design Niovi Kitsiou

Researcher Mentor Fenia Kotsopoulou

Dramaturgical Advice/ Researcher Mentor Julyen Hamilton

Camera Julyen Hamilton

Editing Maria Pisiou

Production Maria Pisiou, Master in Theatre Practices, ArtEZ, University of Arts

Athens, May 2020

Set of the space for the video dance installation

The video is projected on the ceiling of the performance space. Audience lies down on the floor, watches the video while listening to the soundscape through headphones.

Materials needed for the set of the space

pillows or soft materials( for the audience), a couple of headphones. beamer.

More info about the set of the space and the concept of it you can be found here

Link to Documentation of the Process

Thoughts during editing

Physical stories,

A choreographic journey at the moment of the performance

A choreographic journey through editing.

Frames

Black frames

How can the black frames be choreographed?

How can the silence be danced?

Not a clear story will be told.

Once a story starts to be created, it disappears.

Scattered thoughts landing in a terrace

And waiting,

as a practice of listening,

as a way the body to be released and the senses to be awaken.

And waiting,

as a way the space to be created for the coincidence to happen

April 2020, Athens

Previous
Previous

The Fragile Party (student edition)

Next
Next

Moving_Imagined Fragments